-
1 explore a field
Нефть: разведывать месторождение -
2 explore a field
Англо-русский словарь нефтегазовой промышленности > explore a field
-
3 field
1. месторождение; бассейн; промысел2. поле; пространство3. область науки; область применения; сфера деятельностиfield going to water — месторождение, начинающее обводняться
* * *
2. промысел
* * *
1. месторождение; промысел3. поле (пространство, пересеченное линиями какой-либо силы, напр., магнитное поле и т.п.)4. область ( исследований).
* * *
2. поле (гравитационное, магнитное и т.д.)3. месторождение (нефти, газа)4. область ( исследования)
* * *
2) промысел•field authorized to commence operations — промысел, на разработку которого дано официальное разрешение;
field going to water — месторождение в начале обводнения;
to discover a field — открывать месторождение;
to explore a field — разведывать месторождение;
to find a field — открывать месторождение;
- abandoned fieldfield under development — месторождение, находящееся в разработке
- automated oil field
- commercial field
- condensate field
- depleted field
- depletion drive oil field
- developed field
- drowned field
- essentially depleted oil field
- far field
- fissuring field
- flooded field
- gas field
- gas-and-oil field
- gas-cap field
- gas-condensate field
- gas-controlled oil field
- gas-drive field
- high-pressure field
- impressed magnetic field
- maiden field
- major field
- marginal field
- medium size field
- microseismic field
- multihorizon field
- multilayered field
- multiplay field
- multireservoir field
- natural gas field
- near field
- nonassociated gas field
- offshore field
- offshore oil field
- oil field
- oil-and-gas field
- oil-gas condensate field
- primary sound field
- producing field
- proven oil field
- reflected field
- reflected displacement field
- reflected stress field
- secondary sound field
- seismic field
- shallow-water field
- single-horizon field
- single-layer field
- sleek field
- stratigraphic oil field
- tank field
- test field
- transmitted stress field
- undrilled field
- virgin field
- water controlled oil field
- watered field* * *• бассейн• залежь• поле -
4 study
1. n изучение, исследование; научные занятия2. n изучение, рассмотрениеafter the study of the matter — после изучения этого вопроса …
3. n обследование4. n обыкн. приобретение знаний, учение; занятияstudy hall — зал для занятий; читальня, читальный зал
study time — учебное время, часы учёбы
5. n наука; область науки6. n тк. предмет изученияman is their study — человек — предмет их исследований
7. n научная работа, монографияwork, study and living — работа, учеба и проживание
8. n очерк9. n иск. этюд, эскиз, набросок10. n забота; старание11. n рабочий кабинет12. n театр. актёр, заучивающий роль13. v изучать, исследовать; рассматривать; обдумыватьto study law, to go to the law — изучать право
to study medicine — изучать медицину, учиться на врача
14. v учить, изучатьto study history — изучать историю ; заниматься историей
15. v учиться, заниматься16. v готовитьсяto study for the medical profession, to study to be a doctor — готовиться стать врачом
17. v заботиться; стремиться18. v разг. угождать, ублажать19. v заучивать наизустьСинонимический ряд:1. analysis (noun) analysis; examination; inquiry; investigation; probe2. check (noun) check; check-up; inspection; perusal; scrutiny3. den (noun) den; library; office; studio4. education (noun) education; instruction; learning5. meditation (noun) advisement; application; attention; calculation; cogitation; concentration; consideration; contemplation; debate; deliberation; heed; meditation; reflection; rumination; thought6. practice (noun) drill; exercise; lesson; practice; rehearsal; training7. reverie (noun) abstraction; brown study; muse; reverie; trance8. subject (noun) area; art; class; course; field; subject9. explore (verb) explore; research; review; survey10. investigate (verb) analyse; analyze; compare; investigate; practice; read11. scrutinize (verb) canvass; check; check over; check up; cogitate; con; consider; contemplate; entertain; estimate; examine; excogitate; go over; inspect; mind; perlustrate; perpend; peruse; ponder; reflect; scrutinise; scrutinize; think; think out; think over; vet; view; weigh -
5 study
1. сущ.1) общ. изучение, исследованиеdomain [field\] of study — область изучения
See:advertising effectiveness study, consumer study, impact study, methods study, motion study, time study2) обр., обычно мн. занятия, обучение, учеба, изучениеyear of study — учебный год, год обучения
He devoted the afternoons to study. — Вторую половину дня он посвящал учебе.
3) общ. наука; область науки4)а) общ., мн. результаты исследованийб) общ. научная работа, монография; исследование2. гл.1) общ. изучать, исследоватьThis researcher is studying the effect of sleep on aggression, thinking that less sleep will lead to more aggression. — Этот исследователь изучает влияние сна на агрессию, полагая, что сокращение времени сна ведет к повышению агрессии.
Syn:consider, contemplate, ponder, weigh, scrutinize, analyse, decompose, examine, investigate, explore, question2) обр. учиться, заниматься; подготавливаться, готовитьсяto study under smb. — учиться у кого-л.
to study diligently [hard\] — усердно учиться, прилежно заниматься
Syn:See: -
6 trip
[trɪp] 1. сущ.1)а) путешествие; поездка, экскурсия- camping trip - return trip - wedding tripto arrange / organize a trip — организовывать, устраивать экскурсию
б) рейсTwo trips were required to transport the goods. — Понадобилось два рейса, чтобы переправить товары.
Syn:в) расстояние, преодолеваемое за одну поездку2) спотыкание; падениеSyn:stumble 1.3) уст. ложный шаг, ошибка, обмолвка; недочёт, промахA trip in one point would have spoiled all. — Недочёт в одном месте может испортить всё.
Syn:4) уст.а) быстрая лёгкая походка, лёгкий шагб) звук шаговHe sometimes could distinctly hear the trip of a light female step. (W. Scott) — Время от времени он отчётливо слышал звук лёгких женских шагов.
5) нарк. состояние аффекта, галлюцинирование ( вследствие наркотического опьянения)acid trips — "кислотные" галлюцинации, галлюцинации под действием ЛСД
6) амер.; разг. нечто необычное, впечатляющее или удивительное (о человеке, впечатлении, переживании)It was quite a trip talking to you. — Беседовать с тобой было невероятно интересно.
7) горн. состав (вагонеток)8) спорт. подножка9) тех. расцепляющее устройство2. гл.1)а) идти быстро и легко, бежать вприпрыжку, скакатьShe tripped before us up the stairs to the drawing room. — Она легко взбежала по лестнице в гостиную, обгоняя нас.
•Syn:2)а) = trip up спотыкаться, падать; опрокидыватьсяHe would have tripped at the upward step at the cathedral door had she not been with him. (A. Trollope, The Last Chronicle of Barset, 1867) — Не будь её рядом с ним, он бы упал с верхней ступеньки у двери собора.
б) ставить подножку; опрокидывать3) случайно задеть (какой-л. механизм, устройство) и включить егоAlarm bells were ringing so I must have tripped a switch on my way in. — Работала сигнализация - должно быть, я задел её, когда входил.
4) = trip upа) сделать ложный шаг, ошибиться, споткнутьсяHe was very glad when he found an author tripping. — Он очень радовался всякий раз, когда уличал какого-либо автора в ошибке.
б) запутать, сбить с толкуHe tripped up a witness by artful questions. — Он запутал свидетеля хитро поставленными вопросами.
в) поймать, уличить ( во лжи)5) нарк.; = trip out галлюцинировать, испытывать галлюцинации ( вследствие наркотического опьянения), быть в отключкеHe has been tripping for three weeks. — Он уже три недели в отключке.
6) книжн. двигаться легко и плавно, плыть, скользить, порхатьShe said goodbye and tripped off along the road. — Она сказала "до свиданья" и ускользнула прочь по дороге.
Helen looked stunning as she tripped down the stairs in her ball gown. — Хелен, плавно спускавшаяся по лестнице в своём бальном платье, была великолепна.
7) отправляться в путешествие, совершать экскурсиюI shall trip to Paris in about a fortnight. — Я отправлюсь в Париж где-то через две недели.
When tripping through the Yukon take some time to explore our museums. — Когда отправитесь в путешествие по Юкону, выделите время, чтобы походить по нашим музеям.
8) тех. расцеплять; выключать9) мор. выворачивать якорь из грунта10) амер.; спорт. побеждать, одерживать победуSyn:defeat 2.11) мор. приподнимать мачту12) тех. менять положение, претерпевать измененияIn the 14 years under review, substation transformers tripped out 140 times. — По данным проверок, за 14 лет трансформаторы подстанции менялись 140 раз.
•• -
7 range
1. n ряд, линия; цепь, вереница2. n серия, рядrange of — ряд; множество
3. n редк. строй, шеренга4. n линия; направление5. n сфера, зона; область, круг; поле, аренаa wide range of interests — разнообразные интересы; широкий круг интересов
Latin is out of my range — латынь — это не по моей части
variable range — область переменной; переменный диапазон
6. n пределы7. n эк. изменение, колебание, движение8. n размах9. n физ. размах колебаний10. n протяжение, пространство; пределы11. n спец. радиус действия; предел применения; досягаемостьover the range — в пределах; в диапазоне
12. n спец. диапазонfrequency range — радио диапазон частот, частотный диапазон
13. n спец. чувствительность14. n спец. мощность15. n мат. область значений функций16. n дальность; расстояние, дистанцияat long range — на большом расстоянии; далеко; издали
17. n радио дальность передачиrecord range — пристрелянная дальность по реперу, ориентиру
18. n воен. дальнобойность, дальность19. n воен. прицел20. n переход с места на место; блужданиеfree range — полный простор, полная свобода
21. n открытая местность, степь22. n охотничье угодье23. n с. -х. неогороженное пастбище24. n ассортимент, сортамент; номенклатура25. n спец. шкала26. n биол. ареал; район обитания; область распространения27. n биол. период существования на Земле28. n биол. редк. класс, слой29. n биол. физ. длина пробега, пробег30. n спец. степень31. n спец. класс, разряд32. n спец. спорт. направление атаки33. n спец. мор. ряд портов, порты34. n спец. мор. створ35. n спец. воен. полигон, стрельбище; тирrifle range — тир, стрельбище
36. n спец. амер. геод. меридианный ряд населённых пунктов37. n спец. амер. двусторонний стеллаж38. v выстраивать в ряд; ставить, располагать в порядке39. v обыкн. выстраиваться, строиться в ряд; становиться, располагаться в порядке40. v простираться; тянуться вдольhouses that range along the railway — дома, которые тянутся вдоль железной дороги
41. v стоять на одной линии42. v быть на одном уровне, стоять наравне; относиться к числуhe ranges with the great writers — он стоит в одном ряду с великими писателями; он относится к числу великих писателей
43. v занимать определённую позицию44. v редк. вовлекать, привлекать45. v колебаться в определённых пределах46. v поэт. бродить, блуждать; странствовать; исколесить47. v бродить; блуждатьto range far and wide — отвлекаться от темы, уходить в сторону
48. v охватыватьresearches ranging over a wide field — изыскания, охватывающие широкую сферу
49. v классифицировать; систематизировать; распределять по категориям; относить к классу, разрядуluxury range — изделия категории " люкс "
50. v книжн. убирать, приводить в порядок51. v наводить, нацеливать52. v мор. воен. передвигаться, перемещаться53. v воен. двигаться впереди, в первом эшелоне54. v мор. проходить, обгонять55. v редк. проявлять непостоянство56. v биол. водиться, встречаться57. v с. -х. выпасать скот на неогороженном пастбище58. v полигр. выравнивать59. v мор. идти параллельно; проходить мимо, вдоль60. v мор. отпускать канат якоря61. v воен. определять расстояние до цели62. v воен. пристреливать цель по дальности; пристреливаться63. n кухонная плита64. n тех. агрегат, установкаdyeing range — агрегат для крашения; красильная установка
Синонимический ряд:1. ambit (noun) ambit; capacity; circle; compass; confine; confines; dimensions; extension; extensity; extent; grasp; horizon; ken; limits; orbit; panorama; purview; radius; realm; scope; sphere; stretch; sweep; width2. class (noun) class; kind; rank; sort3. diapason (noun) diapason; gamut; scale; spectrum4. distance (noun) distance; limit; reach5. expanse (noun) area; expanse; length; region6. grassland (noun) grassland; meadow; pasture; prairie7. habitat (noun) habitat; haunt; home; locality; site; stamping ground8. mountain range (noun) chain; group; mountain range; sierra9. order (noun) extent; magnitude; matter; neighborhood; order; tune; vicinity10. row (noun) file; line; row; series; tier11. extend (verb) extend; fluctuate; go; lie; occupy; run; stretch out; vary12. group (verb) arrange; array; assort; class; classify; dispose; distribute; group; marshal; order; organise; rank; sort; systematise13. line (verb) align; allineate; line; line up14. wander (verb) bat; circumambulate; drift; encompass; explore; gad; gad about; gallivant; maunder; meander; mooch; peregrinate; ramble; roam; roll; rove; straggle; stray; stroll; traipse; traverse; vagabond; vagabondize; wanderАнтонимический ряд:disconnect; disorder; disturb; intermit; remain -
8 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
См. также в других словарях:
field — I (New American Roget s College Thesaurus) n. clearing, grassland; expanse, range, plot; playground, links, court, airport, aerodrome, arena; scope, sphere, realm; battlefield, warfare. See region, business, agriculture, space. II (Roget s IV)… … English dictionary for students
Majnoon oil field — Majnoon … Wikipedia
Junior Field Trips — The Junior Field Trips series is a collection of point and click children s computer games released by Humongous Entertainment in conjunction with Random House. These games (in general) offered virtual tours of particular locations related to… … Wikipedia
Lambeau Field — Lambeau redirects here. For the co founder of the Green Bay Packers and former player and coach, whom the stadium is named after, see Curly Lambeau. Lambeau Field The Frozen Tundra / Titletown USA … Wikipedia
Color Field — In quantum mechanics, color field is a whimsical name for some of the properties of quarks. Kenneth Noland, Beginning, magna on canvas painting by Hirshhorn Museum and Sculpture Garden, 1958. Kenneth Noland working in Washington, DC., was a… … Wikipedia
Shtokman field — The Shtokman field (also Stockman field ; ru. Штокмановское месторождение), one of the world s largest natural gas fields, lies in the central part of Russian sector of the Barents Sea, convert|600|km|mi| 1 north of Kola Peninsula. Its reserves… … Wikipedia
Rickwood Field — Rickwood FieldFacility StatisticsLocation1137 2nd Avenue West Birmingham, AlabamaBroke GroundSpring 1910Cost$75,000OpenedAugust 18, 1910SurfaceGrass … Wikipedia
Communication Theory as a Field — In 1999 Robert T. Craig wrote a landmark article[1] Communication Theory as a Field [2] which has since received the Best Article Award from the International Communication Association[3] as well as the Golden Anniversary Monograph Award from the … Wikipedia
Vector field reconstruction — [ [http://prola.aps.org/pdf/PRE/v51/i5/p4262 1 Global Vector Field Reconstruction from a Chaotic Experimental Signal in Copper Electrodissolution.] Letellier C, Le Sceller L , Maréchal E, Dutertre P, Maheu B, Gouesbet G, Fei Z, Hudson JL.… … Wikipedia
Open Field (animal test) — The Open Field Test (OFT) is an experiment used to assay general locomotor activity levels and anxiety in rodents in scientific research.[1] Experimental Design A Circular Open Field Developed by Calvin S. Hall to test emotionality of rodents … Wikipedia
Nakhichevan field — Country Azerbaijan Offshore/onshore Offshore Operator(s) RWE Dea Partners … Wikipedia